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Robert Powell The 39 Steps Download Torrent

1935 film by Alfred Hitchcock

The 39 Steps
The 39 Steps (quad poster).jpg

Theatrical release poster
Directed by Alfred Hitchcock
Screenplay past
  • Charles Bennett
  • Ian Hay
Based on The Thirty-Nine Steps
1915 novel
by John Buchan
Produced by Michael Balcon
Starring
  • Robert Donat
  • Madeleine Carroll
  • Lucie Mannheim
  • Godfrey Tearle
Cinematography Bernard Knowles
Edited by Derek Due north. Twist
Music past
  • Louis Levy
  • Jack Beaver (uncredited)[i]

Production
visitor

Gaumont-British Picture Corporation
Distributed by Gaumont British Distributors

Release dates
  • 6 June 1935 (1935-06-06) (London)
  • two August 1935 (1935-08-02) (U.Southward.)

Running time

 86 minutes
Country United Kingdom
Language English
Upkeep £50,000[ii]

The 39 Steps is a 1935 British thriller picture directed by Alfred Hitchcock and starring Robert Donat and Madeleine Carroll. It is very loosely based on the 1915 take chances novel The 30-9 Steps by John Buchan.[iii] Information technology concerns a Canadian civilian in London, Richard Hannay, who becomes caught up in preventing an arrangement of spies called "The 39 Steps" from stealing British military secrets. Subsequently being mistakenly accused of the murder of a counter-espionage amanuensis, Hannay goes on the run to Scotland and becomes tangled upwardly with an bonny adult female while hoping to finish the spy ring and clear his name.

Since its initial release, the film has been widely best-selling every bit a classic. Filmmaker and actor Orson Welles referred to it every bit a "masterpiece." Screenwriter Robert Towne remarked, "Information technology'south not much of an exaggeration to say that all contemporary escapist entertainment begins with The 39 Steps."[4]

Plot [edit]

At a London music hall theatre, Richard Hannay is watching a demonstration of the height powers of recall of "Mr. Memory" when gun shots are heard inside the theatre. In the ensuing panic, Hannay finds himself holding a seemingly frightened adult female, who persuades him to take her dorsum to his flat. There she says her proper name is Annabelle Smith. She tells him that she is a spy and that she fired the shots to create a diversion and then she could escape pursuing assassins. She claims that she has uncovered a plot to steal vital British military information, masterminded by a human being missing the peak joint of one finger. She mentions "The 39 Steps", but does not explain the phrase.

Afterward that night, Smith bursts into Hannay's bedchamber and warns him to abscond, earlier dying with a knife in her dorsum. Hannay finds a map of the Scottish Highlands clutched in her mitt, showing the expanse around Killin, with a business firm or subcontract named "Alt-na-Shellach" circled. He sneaks out of his flat disguised as a milkman to avoid the assassins waiting exterior. He and so boards the Flying Scotsman limited train to Scotland. He learns from a newspaper that he is the target of a nationwide manhunt for Smith's murderer. When he sees constabulary searching the train, he enters a compartment and starts kissing the sole occupant, Pamela, in a desperate try to avoid capture. She alerts the policemen, who stop the train on the Forth Bridge. Hannay escapes.

He walks toward Alt-na-Shellach, staying the night with a poor crofter (farmer) and his much younger wife. Early the side by side forenoon, the wife sees a police car budgeted and warns Hannay; she as well gives him her hubby's coat. Hannay flees. The police hunt subsequently him, even employing an autogyro, but he eludes them. He eventually reaches the house of Professor Jordan. The police arrive, but Hashemite kingdom of jordan sends them away and listens to Hannay's story. Hannay states that the leader of the spies is missing the top joint of the niggling finger of his left hand, merely Jordan shows his right hand, which is missing that joint, then shoots Hannay and leaves him for dead.

Luckily, the bullet is stopped by a hymn book in the glaze pocket. Hannay goes to the sheriff. When more policemen get in, the sheriff reveals that he does not believe the fugitive'south story, since Hashemite kingdom of jordan is his best friend. Hannay jumps through a window. He tries to hide at a political meeting and is mistaken for the introductory speaker. He gives a rousing impromptu spoken communication, but is recognized by Pamela, who gives him away to the police once again. He is taken away by the policemen, who insist Pamela accompany them. When they bulldoze the incorrect direction, Hannay realises they are agents of the conspiracy. When the men become out to disperse a flock of sheep blocking the road, they handcuff Pamela to Hannay. Hannay manages to escape, dragging the unwilling Pamela forth with him.

They brand their fashion across the countryside and stay the night at an inn. While Hannay sleeps, Pamela manages to slip out of the handcuffs, but and so overhears i of the fake policemen on the phone, confirming Hannay's story. She returns to the room. The next morning, she tells him that she overheard the spies maxim that Jordan will be picking something upward at the London Palladium. He sends her to London to alert the police; however, no clandestine documents take been reported missing, and so they do not believe her. Instead, they tail her, hoping that she will lead them to Hannay.

She goes to the Palladium. When Mr. Memory is introduced, Hannay recognizes his theme music — a catchy tune he has been unable to forget. Hannay, upon seeing Jordan point Mr. Retentiveness, realizes that at that place is no physical document, as Mr. Memory has memorized the hush-hush contents. As the police are well-nigh to have Hannay into custody, he shouts, "What are The 39 Steps?" Mr. Retentivity compulsively answers, "The 39 Steps is an system of spies, collecting information on behalf of the foreign office of...", at which point Jordan shoots Mr. Memory before he is apprehended by the police while trying to escape capture. The dying Mr. Retentivity begins reciting his memorized information: the design for a silent aircraft engine.

Cast [edit]

  • Robert Donat as Richard Hannay
  • Madeleine Carroll as Pamela
  • Lucie Mannheim as Annabella Smith
  • Godfrey Tearle as Professor Jordan
  • Peggy Ashcroft as Margaret, the crofter's wife
  • John Laurie equally John, the crofter
  • Helen Haye as Mrs. Louisa Jordan, the professor'southward married woman
  • Frank Cellier every bit Sheriff Watson
  • Wylie Watson equally Mr. Memory
  • Gus McNaughton equally Commercial Traveller
  • Jerry Verno as Commercial Traveller
  • Peggy Simpson as Maid
  • Matthew Boulton as Simulated Policeman
  • Frederick Piper as Milkman (uncredited)
  • Ivor Barnard as Political Meeting Chairman (uncredited)
  • Elizabeth Inglis every bit Pat, Professor Jordan's daughter (uncredited)

Product [edit]

Accommodation [edit]

The script was originally written by Charles Bennett, who prepared the initial treatment in close collaboration with Hitchcock; Ian Hay so wrote some dialogue.[3]

The moving picture'southward plot departs significantly from John Buchan's novel, with scenes such as in the music hall and on the Along Span absent from the book. Hitchcock also introduced the 2 major female person characters, Annabella the spy and Pamela, the reluctant companion. In this pic, The 39 Steps refers to the clandestine organisation, whereas in the book and the other picture versions information technology refers to physical steps, with the High german spies being called "The Black Rock".[3] [5] By having Annabella tell Hannay she is travelling to come across a man in Scotland (and produce a map with Alt-na-Shellach house circled) Hitchcock avoids the coincidence in Buchan's novel where Hannay, with the whole country in which to hide, chances to walk into the one house where the spy ringleader lives.

Conception [edit]

The 39 Steps was a major British film of its time. The product company, Gaumont-British, was eager to establish its films in international markets, and specially in the United States, and The 39 Steps was conceived as a prime vehicle towards this end. Where Hitchcock'due south previous film, The Man Who Knew As well Much, had costs of £forty,000, The 39 Steps toll about £lx,000. Much of the extra money went to the star salaries for leads Robert Donat and Madeleine Carroll. Both had already fabricated films in Hollywood and were therefore known to American audiences. At a time when British cinema had few international stars, this was considered vital to the film'due south success.[six] Hitchcock had heard that Scottish industrialist and aircraft pioneer James Weir commuted to work daily in an autogyro and worked the aircraft into the film.[7]

Music [edit]

Hitchcock had worked with Jessie Matthews on the film Waltzes from Vienna and reportedly did not like her very much. Nevertheless he used the song "Tinkle,Tinkle,Tinkle " (from the film Evergreen which starred Matthews) equally the music underscoring Mr. Retention's dying words and fade-out music in The 39 Steps. He also used an orchestrated version of her song "May I Take The Next Romance With You lot" in the ballroom sequence of his 1937 film Young and Innocent.[3]

Hitchcockian elements [edit]

The 39 Steps is another in a line of Hitchcock films based upon an innocent man being forced to go on the run, including The Lodger (1926), Saboteur (1942) and N by Northwest (1959). The film contains a common Hitchcockian trope of a MacGuffin (a plot device which is vital to the story, but irrelevant to the audience); in this case, the designs for a secret silent aeroplane engine.

This pic contains an Alfred Hitchcock cameo, a signature occurrence in almost of his films. At around 7 minutes into the film, both Hitchcock and the screenwriter Charles Bennett can be seen walking past a bus that Robert Donat and Lucie Mannheim board outside the music hall.[3] The motorbus is on London Transport's number 25 route, which runs from Oxford Street through the East End and on to Ilford. As writer Marker Glancy points out in his 2003 report of the film, this was familiar footing to Hitchcock, who lived in Leytonstone and then in Stepney (in the East Finish) as a youth. The managing director's advent tin can thus be seen every bit an exclamation of his connexion with the expanse but he was by no means romanticising it. As the bus pulls up he litters by throwing a cigarette packet on the ground.[half-dozen] : p. 45 Hitchcock is also seen briefly as a member of the audition scrambling to leave the music hall subsequently the shot is fired in the opening scene.

In the middle of the motion picture, Hannay is shot in the chest with a pistol at close range and a long fade out suggests that he has been killed. This jarringly unusual development—the primary grapheme is plain killed while the story is still unfolding—anticipates Hitchcock's Psycho (1960), and the murder of Marion Crane in the Bates Motel. Hannay was not dead, in the side by side scene it is revealed that a hymn book in the pocket of his borrowed glaze prevented the bullet from killing him.[6]

The motion picture established the quintessential English language 'Hitchcock blonde' Madeleine Carroll equally the template for his succession of ice cold and elegant leading ladies.[3] Of Hitchcock heroines as exemplified by Carroll, picture show critic Roger Ebert wrote: "The female characters in his films reflected the same qualities over and once more: They were blonde. They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerised the men, who often had physical or psychological handicaps. Sooner or later, every Hitchcock woman was humiliated".[viii] In keeping with many of Hitchcock'due south films, key sequences are set in familiar locations; in this instance Kings Cross station, Piccadilly Circus station and a dramatic sequence on the Forth Bridge.

Reception [edit]

Contemporary reviews were very positive. Andre Sennwald of The New York Times wrote, "If the piece of work has any single rival as the about original, literate and entertaining melodrama of 1935, then information technology must be The Man Who Knew Too Much, which is too out of Mr. Hitchcock's workshop. A master of stupor and suspense, of cold horror and slyly incongruous wit, he uses the photographic camera the way a painter uses his brush, stylizing his story and giving information technology values which the scenarists could inappreciably have suspected."[9] Variety wrote, "International spy stories are about always good, and this is one of the best, smartly cut, with sufficient one-act relief."[x] The Monthly Film Bulletin declared information technology "Start class entertainment," adding, "Like all melodramas in which the hero must win the story contains a number of very lucky accidents, merely Hitchcock's direction, the speed at which the film moves, and Donat'due south high-spirited acting get away with them and the suspense never slackens."[11] John Mosher of The New Yorker wrote, "Speed, suspense, and surprises, all combine to make The 39 Steps ane of those agreeable thrillers that can beguile the idle hour ... Mystery experts volition savor the whole thing, I call up."[12]

It was voted the best British film of 1935 by The Examiner (a Tasmanian publication) in a public poll.[13] It was the 17th most popular film at the British box office in 1935–36.[14] Of the 4 major pic versions of the novel,[3] Hitchcock's flick has been the nearly highly praised. In 1999, the British Film Found ranked it the 4th best British film of the 20th century;[fifteen] in 2004, Total Picture show named it the 21st greatest British movie ever fabricated, and in 2011 ranked it the second best volume-to-moving picture accommodation of all fourth dimension.[16] The Hamlet Vox ranked The 39 Steps at number 112 in its Top 250 "All-time Films of the Century" listing in 1999, based on a poll of critics.[17] In 2016, Empire ranked the picture show at No. 52 on their list of "The 100 best British films".[18] In 2017, a poll of 150 actors, directors, writers, producers and critics for Time Out magazine saw it ranked the 13th best British film e'er.[nineteen] The 39 Steps was one of Orson Welles' favourite Hitchcock films, and of it he said, "Oh my God, what a masterpiece."[20] In 1939, Welles starred in a radio adaption of the same source novel with The Mercury Theatre on the Air.[3] [21] On Rotten Tomatoes, the picture show has an approving rating of 96% based on 53 reviews, with an average rating of 8.90/10. The website's critical consensus reads: "Packed with twists and turns, this essential early Alfred Hitchcock feature hints at the dazzling heights he'd accomplish later on in his career."[22] In 2021, The Daily Telegraph ranked the moving picture at No. 2 on its list of "The 100 best British films of all time".[23]

Copyright and domicile video status [edit]

The 39 Steps, similar all of Hitchcock's British films, is copyrighted worldwide[24] [25] but has been heavily bootlegged on dwelling video.[26] Despite this, various licensed, restored releases take appeared on DVD, Blu-ray, and video on need services from Network in the UK, The Criterion Collection in the U.s.a. and many others.[3]

Legacy [edit]

In chapter 10 of J. D. Salinger's novel The Catcher in the Rye, the protagonist Holden Caulfield recounts the adoration that he and his younger sister Phoebe accept for the film.[a]

In the Sesame Street segment "Monsterpiece Theater" Alistair Cookie (Cookie Monster) introduces the audience to the thriller film, "The 39 Stairs" ("Past guy named Alfred..."). Grover in a film noir setting climbs a set of stairs counting each ane every bit he ascends. One time he reaches the top, he finds a brick wall. Instead of climbing dorsum down, Grover slides down the banister.

The comedy play The 39 Steps is a parody of this specific movie version of the story, with a cast of but iv people for all the parts. Information technology was originally written in 1995 by Simon Corble and Nobby Dimon; a version rewritten in 2005 by Patrick Barlow has played in the West Finish and on Broadway.

See also [edit]

  • BFI Top 100 British films

Notes and references [edit]

Notes [edit]

  1. ^ Sullivan, Jack (2008). Hitchcock'south Music. Yale University Printing. p. 325. ISBN9780300134667.
  2. ^ Alfred Hitchcock: Thirty-seven years after '39 Steps' Smith, Cecil. Los Angeles Times 27 Feb 1972: v2.
  3. ^ a b c d e f g h i "Alfred Hitchcock Collectors' Guide: The 39 Steps (1935)". Brenton Film. February 2020.
  4. ^ Scragow, Michael (9 July 2012). "Rewatching Hitchcock'southward "The 39 Steps"". The New Yorker.
  5. ^ Spoto 1999, p. 145.
  6. ^ a b c Glancy (2003), pp. 29, 63
  7. ^ "Travelling at the edge of space". Academy of Strathclyde. 10 March 2010. Archived from the original on 10 March 2012. Retrieved viii December 2012.
  8. ^ Ebert, Roger (13 October 1996). "Vertigo". Chicago Sun-Times . Retrieved 9 April 2017.
  9. ^ Sennwald, Andre (14 September 1935). "The Screen". The New York Times: 8.
  10. ^ "The 39 Steps". Diverseness: 21. xix June 1935.
  11. ^ "The Xxx-Ix Steps". The Monthly Film Bulletin. 2 (17): 72. June 1935.
  12. ^ Mosher, John (fourteen September 1935). "The Current Cinema". The New Yorker. pp. 87–88.
  13. ^ "Best Film Functioning Last Yr". The Examiner. Launceston, Tasmania. 9 July 1937. p. 8. Retrieved 4 March 2013 – via National Library of Australia.
  14. ^ Sedgwick & Pokorny 2005, pp. 79–112.
  15. ^ The BFI 100: The 39 Steps". BFI.
  16. ^ "50 Best Book To Movie Adaptations". Total Picture
  17. ^ "Take 1: The First Almanac Village Voice Film Critics' Poll". The Village Phonation. 1999. Archived from the original on 26 Baronial 2007. Retrieved 27 July 2006.
  18. ^ Green, Willow (5 September 2016). "The 100 best British films". Empire.
  19. ^ "The 100 best British films". Time Out. Retrieved 24 Oct 2017
  20. ^ Biskind 2013, p. 156.
  21. ^ "'The 30-Nine Steps' – Adaptations". National Library of Scotland . Retrieved 28 March 2017.
  22. ^ "The 39 Steps (1935)". Rotten Tomatoes. Fandango Media. Retrieved 21 December 2021.
  23. ^ "The 100 all-time British films of all time". The Telegraph. 3 July 2021.
  24. ^ "Alfred Hitchcock Collectors' Guide: Slaying the public domain myth". Brenton Motion-picture show. 8 Baronial 2018.
  25. ^ "Alfred Hitchcock: Punch © for Copyright". Brenton Film. 30 August 2018.
  26. ^ "Bootlegs Galore: The Great Alfred Hitchcock Rip-off". Brenton Film. 8 August 2018.
  1. ^ "Her favorite [movie] is The 39 Steps, though, with Robert Donat. She knows the whole goddam pic by centre, because I've taken her to see it nearly ten times. When old Donat comes up to this Scotch farmhouse, for instance, when he's running away from the cops and all, Phoebe'll say right out loud in the movie—right when the Scotch guy in the picture says it—'Tin you lot swallow the herring?' She knows all the talk by eye..."

Books [edit]

  • Biskind, Peter (sixteen July 2013). My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles. Henry Holt and Company. ISBN9780805097269.
  • Glancy, Mark (2003). The 39 Steps: A British Pic Guide. London: Tauris. ISBNi-86064-614-X.
  • Sedgwick, John; Pokorny, Michael (2005). "The Film Business in the United States and Britain during the 1930s" (PDF). The Economic History Review. New Serial. 58 (1): 79–112. doi:ten.1111/j.1468-0289.2005.00299.x. S2CID 152896495.
  • Spoto, Donald (1999). The Nighttime Side of Genius: The Life of Alfred Hitchcock . Da Capo. ISBN030680932X.
  • St. Pierre, Paul Matthew (2009). Music Hall Mimesis in British Film, 1895–1960: On the Halls on the Screen. Madison, New Jersey: Fairleigh Dickinson University Printing. ISBN978-0-8386-4191-0.
  • Vermilye, Jerry (1978). The Great British Films. London: Citadel Press. ISBN0-8065-0661-X.

External links [edit]

  • The 39 Steps at IMDb
  • The 39 Steps at AllMovie
  • The 39 Steps at Rotten Tomatoes
  • The 39 Steps at the TCM Movie Database
  • The 39 Steps at the American Film Institute Catalog
  • Alfred Hitchcock Collectors' Guide: The 39 Steps at Brenton Film
  • Thirty-Ix Steps to Happiness essay past David Cairns at the Benchmark Collection

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